NY: The Metropolitan Museum of Art, 1998. 166pp; 55 tritone plates. Oblong 4to. White cloth. Fine in lightly toned jacket.
Monograph on the early career of American photographer Paul Strand (1890-1976), surveying the influence of the European avant-garde in photographs he shot in and around New York City in 1916. With foreword by Philippe de Montebello, illustrated introductory essay by Maria Morris Hambourg, 55 tritone plates, and notes at rear.
